Thursday, March 20, 2008

New Moon, by Stephanie Meyer

Here is a quote from a commentary a couple of Sundays ago by sports writer George Vecsey. He offers his own view on the popularity of Barack Obama among today's youth:

"The way I see it, the younger generation is much more cool about racial, religious and gender differences than the older generations were. There are a lot of jerks among athletes, but young voters follow sports enough to be familiar with Shaquille O’Neal’s goofy jokes and Tiki Barber’s burning ambition and Dontrelle Willis’s warm smile."

Vecsey's point is that this is a new age where traditional boundaries between white and black, sports and politics, men and women, are being blurred so that cultural differences basically don't mean as much as they once did. Vecsey credits athletes like Tiger Woods and Michael Jordan for generating this new attitude among younger members of the American public.

It's an interesting interpretation. And it's useful, too, as an explanation for the popularity of Stephanie Meyer's Twilight series, of which I have read merely one, New Moon, which was selected in 2007 as the top pick of the Teens Top Ten booklist, sponsored by the Young Adult Library Services Association.   New Moon has very few explicit connections to the contemporary world; it is about as insular and isolated as a contemporary novel can be (curiously, exactly opposite the other vampire novel that I have read for this project, Blue Bloods, by Melissa De La Cruz). But one thing you can say about this novel is that it articulates very well the blurring of cultural boundaries that Obama's campaign also evokes, and that Vecsey identifies as a defining characteristic of the contemporary age.

The cover of New Moon represents the blurring or blending of cultural boundaries and differences that I am talking about here.  The plot does as well. At the start of New Moon, Bella Swan, a sensitive yet strong teenage girl, goes into shock when her true love, the vampire Edward Cullen, breaks off his relationship with her (for more on this relationship, see the first novel in the series, Twilight).  Eventually, however, Bella recovers, and forms a relationship with Jacob, a tall and handsome Native American with a hidden identity of his own.   Essentially an extended re-thinking of Romeo and Juliet, New Moon explores the nature of love and the question of whether or not it is ever possible to recover from the loss of one's truest soulmate.

I found this second novel in the Twilight series a bit tedious in the beginning, as the somewhat implausible break up occurs between Edward and Bella, but I have to admit I found the romance and tension in the relationship between Bella and Jacob very believable and suspenseful.  The high action at the end of this novel also works very well--it is easy to see why the Twilight series is so popular with teen readers, especially young women.  

Part of the allure of New Moon, though, is not just the way vampires, humans, and other supernatural creatures all interact and blend with one another in relatively harmless ways; in addition, readers enjoy this storytelling, I suspect, because of the danger that always lies just beneath the cultural blending and "forbidden" interaction.  Readers know that Bella is just a footstep away from becoming a vampire herself; readers enjoy watching Edward and other characters battle their more base instincts.  New Moon reminds that full cultural integration and boundary erasure is not easily achieved, and is always frought with danger within a society that is still very Puritan and conservative, at its core.  This is a lesson that Barack Obama has been learning on the campaign trail in recent weeks, as various conservative commentators have begun to question the influence of the Rev. Jeremiah Wright on his thinking and leadership skills (basically, casting Wright as a vampire, and Obama as Bella).  It's a lesson that Eliot Spitzer, too, has learned the hard way (see the video below).




1 comment:

PAOLO CRUZ said...

I was never really a huge fan of the Buffy the Vampire Slayer franchise, and my tastes generally veer more towards satire and black humor, rather than high drama. So I wasn't surprised that Twilight failed to hold my attention. I didn't even bother with New Moon.

But I don't agree with the idea that Twilight's narrative world is any more insular or secretive than the one depicted in Blue Bloods and Masquerade (which I *did* appreciate, more than I expected to).

The Blue Bloods cast are just as bound by clandestine practices, and unspoken codes of honor. Arguably, their internalized sense of superiority makes them even more withdrawn from the world-at-large than Meyer's characters.

But I think what you're getting at -- and the reason why I liked De la Cruz's titles better -- is that the Blue Bloods engage with global mass culture, and human civilization, in a more direct and engaged way than the small town mores that govern Meyer's characters. There's a pulse of newness and currency beating through the Blue Bloods titles, even when it's constantly under threat of being (literally and figuratively) sucked dry by the demands of vampire tradition.

Still, I recognize the merits of the Barack Obama - Bella Swan comparison. If anything, it's a useful metaphor for getting politically disenaged youth involved in a more hands-on discusssion of the implications of the current US Presidential race.